Archivio mensile:ottobre 2015
Video: Nintendo Amiibo and Ableton Live
Nintendo Amiibo can be used to trigger and control Ableton Live via my Max for Live BasicNFC device. The Max for Live device receives serial data from an Adafruit PN532 RFID shield and an Arduino Uno board. A MIDI note is generated using the last byt… Continua a leggere
Sideshow Collectibles / Legacy Effects 42-inch tall Iron Man Mark 43 Legendary Scale™ Figure
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Sentry mode!
Sideshow Collectibles and Legacy Effects Studio are proud to present the Limited Edition Iron Man Mark 43 Legendary Scale Figure.
First seen in action during the Avengers’ exhilarating raid at the HYDRA research base in the opening scenes of Marvel’s Avengers: Age of Ultron, the Mark 43 is Tony Stark’s latest and greatest!
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Easy to assemble, and displayed on a themed base straight out of Avengers Tower, get ready to bring home the next generation of Stark Industries technology, proven capable of going toe to toe with Ultron, Earth’s greatest adversary yet!
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Crate and Barrel Towel Art
I love the graphic dishtowel that Crate and Barrel is selling right now. I enlisted my handy husband to make another frame with pallet boards. I love the patina of the old boards. &… Continua a leggere
Hot Toys Movie Masterpiece Series MMS327 1/6th scale Stan Lee 12-inch Collectible Figure
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Who has been in almost every Marvel superheroes movie?
It’s “Stan the Man” and he’ll probably say “Excelsior!”
He is a creator of numerous superheroes. He has brought joy and excitement to comic book readers all around the world. In various superhero movies over the years, his cameos have lightened up the scenes and sometimes surprises movie-goers. Today, celebrating the opening of Stan Lee’s Comikaze Expo 2015, Hot Toys is thrilled to officially present the 1/6th scale collectible figure of this living legend – Stan Lee!
The highly-accurate collectible figure is specially crafted based on the image of Stan Lee. It features a newly developed head sculpt, meticulously sculpted hands and arms, finely tailored outfit, a director’s chair, detailed accessories, and figure stand.
True believers, your superhero collection will not be completed without this legend. ‘nuff said.
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Accessories: One (1) pen, One (1) silver colored watch, One (1) pair of glasses, One (1) pair of sunglasses, One (1) director chair printed with Stan Lee’s signature, Figure base printed with Stan Lee’s signature and Stan Lee nameplate
Release Date: Q2 – Q3, 2016
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How to measure translation quality in your user interfaces
Posted by Javier Bargas-Avila, User Experience Research at Google
Worldwide, there are about 200 languages that are spoken by at least 3 million people. In this global context, software developers are required to translate their user interfaces into many languages. While graphical user interfaces have evolved substantially when compared to text-based user interfaces, they still rely heavily on textual information. The perceived language quality of translated user interfaces (UIs) can have a significant impact on the overall quality and usability of a product. But how can software developers and product managers learn more about the quality of a translation when they don’t speak the language themselves?
Key information in interaction elements and content are mostly conveyed through text. This aspect can be illustrated by removing text elements from a UI, as shown in the the figure below.
In “Measuring user rated language quality: Development and validation of the user interface Language Quality Survey (LQS)“, recently published in the International Journal of Human-Computer Studies, we describe the development and validation of a survey that enables users to provide feedback about the language quality of the user interface.
UIs are generally developed in one source language and translated afterwards string by string. The process of translation is prone to errors and might introduce problems that are not present in the source. These problems are most often due to difficulties in the translation process. For example, the word “auto” can be translated to French as automatique (automatic) or automobile (car), which obviously has a different meaning. Translators might chose the wrong term if context is missing during the process. Another problem arises from words that behave as a verb when placed in a button or as a noun if part of a label. For example, “access” can stand for “you have access” (as a label) or “you can request access” (as a button).
Further pitfalls are gender, prepositions without context or other characteristics of the source text that might influence translation. These problems sometimes even get aggravated by the fact that translations are made by different linguists at different points in time. Such mistranslations might not only negatively affect trustworthiness and brand perception, but also the acceptance of the product and its perceived usefulness.
This work was motivated by the fact that in 2012, the YouTube internationalization team had anecdotal evidence which suggested that some language versions of YouTube might benefit from improvement efforts. While expert evaluations led to significant improvements of text quality, these evaluations were expensive and time-consuming. Therefore, it was decided to develop a survey that enables users to provide feedback about the language quality of the user interface to allow a scalable way of gathering quantitative data about language quality.
The Language Quality Survey (LQS) contains 10 questions about language quality. The first five questions form the factor “Readability”, which describes how natural and smooth to read the used text is. For instance, one question targets ease of understanding (“How easy or difficult to understand is the text used in the [product name] interface?”). Questions 6 to 9 summarize the frequency of (in)consistencies in the text, called “Linguistic Correctness”. The full survey can be found in the publication.
Case study: applying the LQS in the field
As the LQS was developed to discover problematic translations of the YouTube interface and allow focused quality improvement efforts, it was made available in over 60 languages and data were gathered for all these versions of the YouTube interface. To understand the quality of each UI version, we compared the results for the translated versions to the source language (here: US-English). We inspected first the global item, in combination with Linguistic Correctness and Readability. Second, we inspected each item separately, to understand which notion of Linguistic Correctness or Readability showed worse (or better) values. Here are some results:
- The data revealed that about one third of the languages showed subpar language quality levels, when compared to the source language.
- To understand the source of these problems and fix them, we analyzed the qualitative feedback users had provided (every time someone selected the lower two end scale points, pointing at a problem in the language, a text box was surfaced, asking them to provide examples or links to illustrate the issues).
- The analysis of these comments provided linguists with valuable feedback of various kinds. For instance, users pointed to confusing terminology, untranslated words that were missed during translation, typographical or grammatical problems, words that were translated but are commonly used in English, or screenshots in help pages that were in English but needed to be localized. Some users also pointed to readability aspects such as sections with old fashioned or too formal tone as well as too informal translations, complex technical or legal wordings, unnatural translations or rather lengthy sections of text. In some languages users also pointed to text that was too small or criticized the readability of the font that was used.
- In parallel, in-depth expert reviews (so-called “language find-its”) were organized. In these sessions, a group of experts for each language met and screened all of YouTube to discover aspects of the language that could be improved and decided on concrete actions to fix them. By using the LQS data to select target languages, it was possible to reduce the number of language find-its to about one third of the original estimation (if all languages had been screened).
LQS has since been successfully adapted and used for various Google products such as Docs, Analytics, or AdWords. We have found the LQS to be a reliable, valid and useful tool to approach language quality evaluation and improvement. The LQS can be regarded as a small piece in the puzzle of understanding and improving localization quality. Google is making this survey broadly available, so that everyone can start improving their products for everyone around the world.
Max for Live: Rompler with Time Stretching
Download here: http://milkcrate.com.au/_other/downloads/M4L/little-scale.Rompler.zipA straightforward rompler Max for Live Instrument device, with sample playback, looping, ADSR and time stretching. Continua a leggere
Stop al consumo di suolo
Tutti parlano dell’eccessiva crescita edilizia che ha cementificatoin modo abnorme un po’ tutte le regioni d’Italia,con gli esiti sul dissesto del territorioche abbiamo sotto gli occhi tutti i giorni.Pare sia un destino "inevitabile", che peròqualcuno comincia a mettere in discussione.Persino la Regione Lombardia ha recentemente approvato unalegge che teoricamente avrebbe il compito di frenare Continua a leggere
Max for Live: Note Mouse XY
Dowload here: http://milkcrate.com.au/_other/downloads/M4L/little-scale.Note.MouseXY.amxdA Max for Live MIDI device that takes a MIDI note input.When a note is held down (i.e. a note on event has occurred without a corresponding note off event), the X … Continua a leggere
Max for Live: Buffer LFO
Download here: http://milkcrate.com.au/_other/downloads/M4L/little-scale.BufferLFO.amxdA Max for Live Audio device that simply passes audio. An LFO signal with variable frequency, depth, phase and offset can be mapped to any Live parameter.An audio fil… Continua a leggere